A casual review of some of my still images captured while on set.

with Sharon Stone and Val Kilmer on the set in New Orleans. We had lost the daylight. I had to create daylight with only three lights.
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On the set of STAND! reading the light.
A screen grab from the set on STAND! A feature film photographed in Winnipeg.
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A screen grab from a long forgotten television series placed in the future - MAN AND MACHINE. A dreadful back alley of a theatre in downtown Los Angeles. I used one lamp with two different colors on the top and bottom. The rest was played in silhouet
Lit by only the backlight. As he turns the spider cage the glass reflects light back onto his face. From CSI: LAS VEGAS first Season.
On the set of STAND! I'm always fascinated with color temperatures counterpoints. The light inside was golden emanating from a Nine Lighty Maxi Brute covered with a double sheet of 147. The exterior daylight is 5600 degrees suggesting the interior is
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A RUMOR OF ANGELS - Vanessa Redgrave - feature film photographed with Hawk Anamorphic lenses - lit with one Dedolight and the standing lamp in the frame.
A RUMOR OF ANGELS - feature film - Vanessa Redgrave
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A screen grab from IN THE COMPANY OF SPIES. What I love about this image is it's economy. It is lit with only one light - the blue light hitting the back of his head. The only alternative color is emanating from the glass of alcohol which is golden i
A screen grab from the first season of CSI: LAS VEGAS, The set was a dreadful garage. Those garage doors were suppose to open up onto the Las Vegas landscape. It was on a stage. I chose to use 4 Nine Light Maxi Brutes pounding into the gap between th
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DISASTER AT SILO 7 - Movie of the Week - a missile silo in Arizona. The shot started at the bottom of the missile and craned up to this final angle.
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FREDDY'S HELL - on the set of NIGHTMARE ON ELM STREET: DREAM WARRIORS. The Arriflex BL is hanging from a Louma Crane.
The opening title sequence from QUANTUM LEAP. That's Scott Bakula standing over a 10k with Cryogenics spewing upon him. If the gas valve was not turned off properly he would have been badly burned.
From the very first HD Digital Dramatic Series - PASADENA.
First Season of the Series HOUSE with my first Chihuahua, Precious .
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NICK OF TIME with Johnny Depp and myself. John Badham (director) and DJ Caruso (producer) in the background.
The opening scene from the 20th Century Fox film THE KING AND I. It's astonishing how much labor and electricity it took to create reality on a sound stage.
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NIGHTMARE ON ELM STREET: DREAM WARRIORS. - myself and Robert England in Freddy Hell.
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We were scouting locations in Brooklyn for the Series ELEMENTARY. This time clock had not been touched in over a hundred years. How many life's had this device altered?
I'm always fascinated by civilizations attempt to claim nature. After there passing of the dreamer or abandonment nature reclaims it's own.
Nature reclaims its territory.
On the streets of Dumbo Brooklyn. Light glistens off of an ancient railroad spur.
So much conversation must have gone into the painting of this door and yet over the years it became it's own value.
A long walk after having taught a seminar at Maine Media Workshop - as always - I just happened to have my camera with me.
One of my typical strolls with a camera capturing more happy accidents.
Visiting my brother in the hospital at UCLA. I was astonished by how the light bounced from the floor onto that wall.
An observation of the lobby of UCLA Medical Center. I was there at the right moment on the right day.
Looking down upon a walkway. I love order amidst chaos.